“Words ? Spring Dream ” Vanishing without a Trace

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This is a love story. It is a story of romance about a "literary and artistic" young man.

It reminds me of the cat at my home. When spring begins， cat at my home always makes long-short tunes of “meow”， “me―ow―”. This is perhaps calling for romance. I understand there are many kinds of romance， such as one in time-travel TV series， in novel in the early time of Republic of China， novels of aunt Qiong Yao and uncle Hai Yan， unmatched and lust….The cat like this at my home is pretty straightforward and not literary indeed. Well， romance of a sultry and literary young man may be one of the most peculiar.

The scope of how to describe the romance of literary young men and women is always difficult to measure. It can not be too factual， too material， too social or too “beautiful grief with a 45 degree angel”. Then it only leaves the new version following the e-ya e-ya tones of Song of Overage Female Literary Youth to express lyrics.

However， up until now， no one composes the lyric and no one has sung that.

Zhao Yu makes it exactly in a unique narrative way.

This way is has something to do with Milan Kundera. It appeared in Sixty-seven words produced by Century Literature.

This is a book with a lot of implications of salutation. The title of the novel “Sixty-seven Words” is selected from the sixth chapter in L'ART DU ROMAN written by Milan Kundera. Zhao Yu said， “Now that Milan tries to use 67 words to completely illustrate his viewpoint of the world， sense perceptions and on novels， I can easily use 67 words to let a pair of strange woman and man meet each other， shake hands， kiss and make love.”

Additionally， if you are a little bit more careful， you can find that factors in novels by Kundera， such as making the description of dream and boundary of reality blur quite often， form of polyphony and even the key words like “jokes” are referred in this novel.

In this story arranged and narrated by 67 words， the writer seems to give up the action of using his own ideas to govern a world and not want to trim this romance story too neatly.

The hero in the novel called “Jinyi”is a painter. His younger brother dies of a car accident， which can not be restored and affirmed. “Jinyi” adopts grotesques. He has a sexy voice and does voice work at television station as part-time job. He likes the sound of snow falling down in silent night， the normative and graceful way of a female vendor “killing fish” in vegetable market. The key point is that， like all the male artists， he desires an “eternal” female to guide him to go forward. The old gentleman Gibran once said， “Every man loves two women. One is in imagine and the other one is not born yet.” Therefore， the imagination of the literary young man is especially abundant. We can imagine that after a burst of joy， he calls the name of other woman facing the mate on his side and he does not know his error. （However， the Holy Virgin heroine does not blame， because rescuing the crazy artistic young man is the incumbent responsibility of each literary young woman.） This is what you can understand. In short， romance of a hero is “the dream of Chuang Tzu”， making the reality and fairyland blur. If you want to find the traditional “beginning” “development” “climax” and “ending”， the effort is destined to be futile. The reason is that what you meet are words. On the floating ice of words， during a period of time from dream and waking， the truth always flashes in a moment， as if the heavy， trivial time， loses the conformity.

However， it does not affect that it is a very funny book. It does not possess the speculation style of the philosophical colors of Milan Kundera. It does not pursue the deeply historical dimension like the A Dictionary of Maqiao by Han Shaogong. It is pretty suitable to take the book in hand and “talking randomly” sitting beside a window in café on the Hengshan road. If you are just a “microblogger”， you will certainly find not a few interesting jokes and can directly write them on your microblog. For example， “I do not tell you where I have gone. But now I have come back to the original place.”， “liking is a word that can run. If you feel lonely， it is because that the person， the clothes， the films or a film have not run to here yet.”， “Love is nothing but a confession hiding the confession of each other. They are obviously in a pot of flowering porridge. Their bodies have been melted with the heartbeats and breaths of all the other beans. However， they vow solemnly that my body only has your flavor.”

As regards the truth of this romantic story， you， sitting beside the window in café can not be too persistent in reading it. Because the author has expressed jokingly that method of pursuing truth is just like playing with “an erotic game”. It is like a game of throwing basketball. If you accurately throw it into the basket， the beautiful girl in the game would take off a piece of clothes…as an author of a novel…should try his best to blow off the erotic game and let that girl take off clothes.” The thing is how to play this game. As a reader， you are obviously not the maker of game regulations and you are obviously in leeward. If possible， you can become the beautiful girl in that game….Therefore， if you want to win the author， you might as well refuse to walk into the set game.

As a poem said， “Things are like spring dream and vanish without a trace.” Let the dreamers more dreamlike and the loser more literary.