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在图森市最繁忙的路口与一片“不可能”建造建筑物的冲积平原的交汇处,矗立着一幢世界级的建筑,它充分地昭示了一个社区引以为豪的各项功能,同时体现出强烈的未来眼光。

该建筑落成后,用作图森市警务办公场地,并被命名为图森市帕特里克・K・哈德斯蒂心多功能警务中心,并实行一周七夭,一天二十四小时服务。图森市的瞽务派出机构,以及图森市水利部门办事处、市财政支付机构都与之相邻。停车场还包括一个车辆维修中心。作为社区瞽务最基础的部分,该建筑还提供了一片供社区居民使用的市民空间,并与该建筑和谐地构成一个整体。

1989年成立于亚利桑那州坦佩市的Architekton公司参与了该项工程设计竞标并最终赢得了设计权。Archifekton公司为大家所熟知的是在建筑设计方面能提供最前卫的解决方案和在设计中具有敏锐的环保意识。GLHN公司在建筑和工程方面给予了全程协助。

这幢每平方米耗资2,287美元(每平方英尺212.5美元)、面积48,000平方英尺的建筑,因其整体沿着一条新建的道路阿罗约延展,看起来成曲线布局,实际上它的平面布局是简单的直线。透过该建筑的几何平面,该建筑可以用不经常同时出现在形容一个政府建筑的两个形容词――“庄严”和“当代”来形容。不管怎么说。该建筑因其单体构成和永久性的外观呈现出令人不得不信服的超强说服力,是完全具备“庄严”这个词所应具备的条件的;同时,由于大胆的造型和钢结构的使用,当下(21世纪)所呈现的富丽堂皇,也是可以用“当代”来描述这个设计的。

乍看之下,矗立在第22街和阿尔弗努路的这幢建筑既“肃穆”又“庞大”。但是,在对这幢建筑的直观感觉之后,它的各项特色就会变得很明显,无论在外形方面还是概念设计方面,该建筑的架构实际上在各个方面是变化多端的。从左至右来“读”这幢建筑,我们可以注意到,它的轮廓是逐渐从凹‘‘墙”到凸“堡垒”蜿蜒延伸的。沙漠中的光线经钢板反射后,随着太阳光照射角度的变化和四季的变换,其强弱程度和色彩变幻都是源源不断的。

在外面一些呈锈色的混凝土砌块,颜色似乎也多变。清晨和傍晚,本来灰色的材料在太阳照射下呈现出粉红色的光环。结构上加入的悬臂所投射出的阴影,随着一天的自然变化而不断变换,并构成一个整体,看起来就像整个建筑的组成部分。

从理性层面来看,结构上渐变的曲线和变换的建筑表面如一条浅浅的正弦波,其逻辑延伸方向从许多方面来看,都与城市北部的卡塔利娜山相连。大量使用的风化板当下就给人留下刻板而原始的E口象。面板上土质的颜色让人想起美国南半部亚利桑那州铜矿开采传统。从鉴赏角度来说,横跨在建筑曲形表面上对角斜弯的钢板可比喻为创造一种视觉的“和谐共振”,它辐射建筑所需消耗的能量。每组由10块面板组成的钢板长6m(20英尺),宽1.2m(4英尺),重272kg(600磅)。

行人天桥横跨新阿罗约,并与一个通向公共停车场特意从墙体凿出来的入口门廊相连。社区公共空间也毗邻这座行人天桥,看起来好像穿过弯曲的钢质表面。悬臂式空间位于建筑的东南角,与建筑整体成直线。

该项目给人留下非同一般的印象,正如Architekton主持建筑师约翰・F・凯恩所说的,不同寻常的造型和各种材料的使用实际上是受到市民欢迎的。

“街坊邻居都与建筑和谐共处,因为它看上去并不像一个建筑”约翰・F・凯恩所说。“我们对我们设计的任何项目的态度就是要解决社会问题和满足客户的需求。最后,双方都满意。”

该项目已获得超过500万美元大奖,包括亚利桑那州的美国友邦优异奖和美国西南部最佳公共工程承包商等无数荣誉。这是不断为图森市赢得当之无愧的荣誉的构筑物之一,也是美国建筑理论和设计的先

The winning entrant for the design competition was Architekton, a Tempe, Arizona-based firm established in 1989. The firm is widely known for its avant-garde solutions and environmentally sensitive design. The architect of record was GLHN Architects and Engineers of Tucson.

Completed at a cost of $2287 per square meter ($212.50 per sf), the 4,459 square meter (48,000 sf) project is essentially a straightforward rectilinear floor plan, which is perceived as curvilinear due to its public façade that traces a newly routed arroyo. Superseding its floor plan geometry, the architecture is both “stately” and “contemporary,” two adjectives that do not often appear together in the same sentence describing a governmental building. However, the terms are fitting“stately” applies since it exudes an incredibly powerful expression of strength due to its monolithic form and permanent appearance, “contemporary” describes the design, which is brilliantly “in the moment” (21st century) through its bold shape and use of steel.

At first glance, the project at 22nd Street and Alvernon Way seems both “static” and “monumental.” Not until after the initial impression, however, does it become evident that the architecture is actually quite chameleon-like in various aspects, both physically and conceptually. In “reading” the project from left to right, one cannot help but notice that its contour progressively transforms from concave “wall” to convex “citadel” as the structure winds its way along the wash. Steel panels reflect desert light and appear to be in a continual flux of intensity and color depending upon the sun angle and season of the year.

At selected points the rusted skin exposes concrete block, which also appears to change color. The normally gray material takes on a pinkish aura in early morning and late afternoon sun. Strategically inserted cantilevers and reveals cast dark shadows that become part of the overall composition which continually changes throughout the course of the day.

Intellectually, the structure's gradually curving lines and changing surface represent a sort of shallow sine wave whose logical extension, from many perspectives, connects to the Catalina Mountains north of the city. The widespread use of weathered panels at once expresses a mechanical and indigenous quality. The panel's earthen colors are reminiscent of Arizona's tradition of copper mining throughout the southern half of the state. For the connoisseur, the diagonally sloping steel panels across the curving surface metaphorically create a visual “harmonic resonance,” which radiates a kind of architectural energy. Each “Cor-Ten” panel is 6 meters (20 ft) long and 1.2 meters (4 ft) wide, weighing 272 kilos (600 lbs) each.

A pedestrian bridge spans the new arroyo and connects the public parking to an entry porch, which is “carved” out of the sculpted land form wall. The community room is adjacent to the bridge and seems to cut its way through the curving steel skin. The cantilevered space is, in fact, the southeastern corner of the envelope's rectilinear plan.

Reflecting upon the unconventional imagery of the project, architect John F. Kane AIA, principal of Architekton, notes that the unusual form and use of materials were actually welcomed by the community. “The neighbors were happy with the building because it didn't look like a building,” says the architect. “Our design approach for any of our projects is to address the issues of the community as well as satisfy the needs of the client. In the end, both are pleased.”

The project has won numerous honors including the AIA Arizona Merit Award and the Southwest Contractor Best Public Project over 5 Million Dollars Award. It is one of a growing number of structures that are contributing to Tucson's well-deserved reputation as one of America's leading centers of architectural theory and design.

For more information: www.省略.