An "Exceptional Work" of Liu Sola

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Abstract. With the development and progress of the times， the contemporary literary writers of the new era also had a profound reflection on national culture， and iconoclastic tendency of Western writers gradually become an important creative theme. In this social context， Liu Sola’s “no choice" through the modern rational thinking to ambiguity， with pure stream of consciousness and the plot of the treatment of non-narrative perspective and the rational use of symbolic images etc.， challenges the traditional method of literary.

Keywords： Liu Sola； “No Choice"； Symbolic Imagery； Stream of Consciousness

1. Introduction

"No Choice" is an exception work. In this novel， the author uses modern technique of expression， not only in the article's creative approach and the creation， but also the characters in the novel thoughts and feelings， and traditions very different styles and themes. In this novel， the author attaches great importance to characterize individual psychology， and makes use of stream of consciousness narrative technique in detail on one fight from the screen， full of ideals of modern college students， although they are full of passion， but hard to find less for their own road， so their mental state is decadent， helpless.

2. Fuzziness narrative perspective of "No Choice"

Chinese writers in the past get used to using omniscient narrative， as if the narrator is omniscient God telling the story of an ancient mystery. However， when we read liu sola’s work， we found the author was unique， as the whole novel is at an angle other than the third person narrative. The viewing angle is the story of the novel the reader to show in front of the angle， which is the character of the narrator， my observation angle. In the process of using a third-person narrative， "outside perspective" refers to the choice of the characters within the novel story to tell the story of vision， with a clear vision of the subjective character of consciousness， with a certain bias， emotional， but the main narrative vision seem very calm and objective. In the novel， Liu Sola let us see a group of lively and cheerful， active-minded young people at first. If from the creators of each character in the novel describes the use of space point of view， it is difficult to sort out the relationship between the primary and secondary characters. But through reading the novel carefully， we will find Li Ming’s inner conflicts and solutions are the main clues of fiction. Professor Wang told Li Ming， when he made preliminary report to drop out， "You have no choice." These words have been used as the title of the novel， so we can see the important position in the whole of the characters in the novel. In the literature of Liu Sola is unique， different from those left self-presence in the works. In the beginning of the novel， she hides herself cleverly， and then narrates in a calm and objective tone. In the expanding description of the process， she used Li Ming’s perspective as a narrative point of view， highlighting the anti-traditional characteristics.

Main narrative fiction cleverly uses their style to show their identity as the characters in the novel， and though she never directly played， the reader can still feel her presence. In the beginning of the novel， the author wrote： "Li Ming has repeatedly thought about this whole thing"， and since Li Ming determined to drop out， he simply often hide inside the dormitory painting the classroom faces. And Ma Li seems not interested in anything， just like buying books， draw some private collections stamp and love to sleep， and the young has had little tenosynovitis because of playing the piano...... Professor Wang said every time： "You honestly go learning， fool， you have no choice but to compose". This sentence seems just against Li Ming， but in reality for every student of composition department， so we are difficult to distinguish who is the narrator of this novel. In the narration， the author often intersect and merge outside perspective of the third-person and inside perspective of fiction intersecting characters in the story， allowing readers an illusion： "It is s not just my observation to describe social reality showing in front of them， which is also a fact that the eyes of the narrator，" as a new era reflect the traditional course. Many modern novelist advocates that literary must return to real life， purely narrating objective account of the real dynamics of life， as much as possible to avoid the judgment of individual consciousness and rational assault. In the writing process， we can not simply carry on discourse analysis， and passively accepted life given to a series of appearances in the narrative process， which must be careful not to prejudice the slightest doping， the original appearance of life to show up， to achieve a complete real. Modern writers focus on the performance of the creative young people to pursue personal attitude to life， full of confusion and psychological aspects of romance， which caters to young people in a way I hope to find new values of the spirit yearning.

3. Make use of stream of consciousness and non-plot method to show the character of the creative

minds in the world

Reading this novel， we need to use stream of consciousness approach to understand the inner world of the characters in the novel. In 1890， the American writer James once defined "stream of consciousness" as a primitive human feeling of chaos. He believed a person's consciousness is uninterrupted flow， and everyone can follow their own interests， from the continuity of the flow of consciousness in his need， the information concerns selected to form a personal world， things that everyone formed mind， it is only divided from his stream of consciousness of the fragment. In this novel， conservatives represented by Professor Jia and positive brilliant youth have an intense conflict， which becomes the focus of the novel. Pedantic stubborn Professor Jia made painstaking study of classical music at beginning， from holding a discussion about the literary aspects from the stick， presiding meaningless exam until the students to participate in various international competitions before and after performances. All these activities primarily aim to prevent the 20th century modernist compositional techniques of infiltration， which he dedicated to insist that Taiwan does not change the long-term artistic method does not let go. In fact， it is Li Ming seeming negative that makes profound critique of research on the presence of modern art education and helpless ridiculous situation rather than Sensen who has the courage to debate with Professor Jia， or Mengye who gets worst beat. Li Ming at the beginning of the novel wanted to drop out， which is a very extreme performance， but also a final result the students was widespread weariness.

When Professor Wang said： "no choice but to compose"， he immediately performed an unusual move lying in bed， expressing his tiredness of learning. To strongly oppose to the concept "learning from life for all students perform formal education" advocated by Professor Jia， he tore up the exercise book. In constant examination， he seemed to see through the absurdity of all things in a moment， there is no right or wrong， so he should be educated almost lost a curiosity on the feeling. Then， he analyzed the normal symptoms of "too healthy body and healthy nervous" and think in another way of plagiarism to alternative mocking tone. In this novel， there are a multitude of things among Li Ming， Meng Ye and Shorty and little other characters. The authors did not unfold the spot following the clues of story time， but purely stream of consciousness approach， basically a cross-section is shown in a modern Students ideals. This is a group of intelligent， thoughtful， energetic college students， but in the face of reality they can not find a suitable way and showed a transient frustration， decadent， absurd. In the early 20th century， the French writer Henri Bergson proposed the idea that a "real" existence is in the "indivisible flow of consciousness among the" view， to encourage them to go into the fictional novelist's heart， with a sense of flow to portray characters People， obviously Liu Sola on the use of this method.

Making use of stream of consciousness must treat structure in non-fiction plot， while the expression of the novel theme plays an important role in the novel structure， and the same content organized in different ways can convey different connotations literature and literary significance. In the past， the novel is very particular about the layout of the plot mode. The genesis and development are front to back， because there is a fruit， and the plot is like the spine of the novel， while events like the vertebrae. This structure is clarity and has clear order， producing the story centers. But later writers think the plot of the narrative structure is entirely based on need rather imposing up， which will destroy the original features， so their fiction plot and events often lack rigorous causal logic， but in scattered fragments disorder form. From "No Choice，" we can see traces of the plot of treatment. It is typical of the lack of a logical sequence of narrative style， while this approach is truly showing the daily lives of college students， as well as their rich inner world. Such an objective cold， seemingly disorderly written outline college life and thoughts， express a noble not humble feeling of students， and they are just like the original color of life， with everything demonstrating the survival of the state.

4. Make clever use of symbolic images

If you say that realism is a literary criticism of corruption and promote rational， then cool modernist literature is based on a rational perspective points to the inevitability of corruption. British poet Yeats said： "All life begins from corruption，" and then Schopenhauer's pessimism and mysticism， Bergson’s doctrine of intuition， and Nietzsche's "God is dead" philosophical pessimism and so on， this series of irrational ideology had a profound impact on the modernist art. Western writer Baudelaire pioneered modernist literary camp， from modern writers who opened the rational spirit of crusade against the door， the general trend is literature reveals that modern society and the community， individuals and others， as well as personal and natural the relationship between self-metamorphosis deformities， trauma further generated pessimistic sense of nothingness. In Li Ming’s opinion， Professor Jia’s so-called sacred the guidelines have been changed dramatically at the beginning. There is no need to memorize and practice， so he said to himself， "I am lying down like this forever， even if lying until graduate， and lying till die of old age." This is an abnormal psychology. Li Ming lying in bed is purely lazy and utopian. But until the end of the novel， Li Ming fall out of bed and sat in the last row in the corner in order to watch the competition performance. Modernist thinking outpouring in Sensen’s musical composition pointed out the direction of development for Li Ming and brought hope. At this point it can be said： "Li Ming’s boredom on academic is negative manifestations of pursuit of true art； his vitality of silence is waiting for real life to sublimation； while his anguish simply because he was too sober， too rich understanding". The little man said， "I can not find anything here." This is it not the voice of Li Ming. His abnormal behavior most accurately reflects the absurdity of behaviors of Professor Jia.

In short， "No Choice" shows the Chinese people in the modernization process unique modern ideology with Western modernist literature creation method， showing a content analysis of bizarre from the novel as a whole. The modernist literary writers focus on the creation of self-expression for young people to pursue individual attitude to life， which meet the young people's psychological and emotional romantic mood in the subconscious mind.

References

[1] Xiaoyun Sun. Went， The History of the Field of "No Choice" [J]. Masterpieces appreciate： 2010， 3 （24）：638-639.

[2] Qinghua Feng. Apprehensive after Enlightenment - Reanalysis "No Choice，" and "No Theme Variations" [J]. Yancheng Teachers College （Humanities and Social Sciences） 2012， 6 （02）：135-136. .

[3] Xia Cao. "No Choice" - the new era of modernity in the Context of Modern Literature [J]. Huainan Teachers College 2007， 3 （01）：36-37.

[4] Shuping Wang. Modern Interpretation of "No Choice"[J]. Henan Normal University （Philosophy and Social Sciences）. 2007， 4 （06）：258-259.

[5] Siwei Po & Lirong Cheng. "No Choice"： close to the traditional modernist [J]. Anhui Literature （second half） 2008， 6 （05）：336-337. ..

[6] Liu Sola. No Choice [M]. Wenhui Press， 2005.

[7] Nanxi Jin. Intertextuality between Western modernism and "China Modernist" - Reread "No Choice" and "No Subject Variations" [J]. Chinese Modern Literature Research Collections 2012， 9 （03）： 442-443.

[8] Haixue Jin. Contemporary Youth Grow Gesture： thinking about "You have no choice，" and other novels [J]. Henan Normal University （Philosophy and Social Sciences） 2012， 3 （02）： 67 -. 68.